April, 25, 2019,

Top Reviews

Limitless Space, Orth Contemporary

by Liz Blood Image: Chris Trueman, “CFI,” detail, acrylic, acrylic spray, and yupo on sintra “Expand your perception through visual experience” sounds a bit like a...

Looking Back on BEYOND: Factory Obscura Pushed the Envelope

by John Selvidge Photos courtesy of Factory Obscura and available at www.factoryobscura.com/beyond. Comparable to large-scale interactive installations pioneered by Meow Wolf in Santa Fe and City...

Top Essays

Sweeping: An Ekphrasis

By Gretchen VanWormer Image: Sweeping Rena Detrixhe's Red Dirt Rug (2018). Loose red Oklahoma soil imprinted with modified shoe soles, 650 sq ft, covering the central...

On The Nerman Museum’s Permanent Collection

By Danny RW Baskin Image: (Left) Stephen Balkenhol, Man Lying on Platform, 1998, Cedar wood and paint, Collection Nerman Museum of Contemporary Art, Johnson County Community College,...

Top Interviews

Contemporary Artist in the 21st Century

By Marjorie Bontemps Image: Mark Lewis, March (Street Fiction), 2017, oil on canvas on board, 108 x 192 Mark Lewis, who is an Oklahoman artist who lives in Tulsa...

The Subjective Object: a Conversation with Marilyn Artus

Michaela Slavid talks with Marilyn Artus about how feminism, patriotism, and signifiers manifest in her work. Michaela Slavid: Start us off. Where did your career...


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