February, 21, 2019,
Guerrilla Exhibition at Inaugural Fried Chicken Festival, New Orleans

Review: Chunkism

By Renee Montgomery During this era of fake news and ‘alternative facts’ propagated on the Internet, painter/performance artist Adam Carnes confronts the public with hyper-realistic...
The Outsiders, 1983

Film Review: The Outsiders

By Jill Hardy “When I stepped out into the bright sunlight from the darkness of the movie house…” If you immediately recognize those words, you may...
regaining-consciousness-with-public-art-krystle-brewer-2

Regaining Consciousness with Public Art

By Krystle Brewer In one of my favorite books, Incognito: Secret Lives of the Brain, one point author David Eagleman makes is how our brains...

Nicolas Gadbois: Semaphor

By C.J. Charbonneau Image: Work by Nicolas Gadbois In Semaphor, an exhibition of twenty-one 12” x 10” painted concrete tablets, Nicolas Gadbois ruminates on civilizations ancient and...

Review: Lady Parts

By Jarica Walsh There is a giant inflated uterus floating in the gallery of Individual Artists of Oklahoma (IAO), and it is impossible to ignore....

Moving Relics: Remember This at Philbrook Downtown

By Catherine Crain Image: Crystal Z. Campbell, Go-Rilla Means War, 2017-18; Image courtesy of the author “You are watching a relic,” a disembodied voice informs in Crystal...
Image still from The Lovers and The Despot

Film Review: The Lovers and The Despot

By Kyle Cohlmia Propaganda film is a genre primarily associated with war. From Mussolini to Mao, dictators from around the world have commissioned, or rather,...

Review: [In]Translation

By Krystle Brewer Separated by the immeasurable space between two minds, the ability to directly connect with another individual must be facilitated through spoken and...

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