February, 21, 2019,
Django image courtesy of the Oklahoma City Museum of Art

Film Review: Django

By Jill Hardy In his essay “The Sacred Wood: Essays on Poetry and Criticism,” T.S. Eliot wrote “Immature poets imitate; mature poets steal; bad poets...

Review: Lady Parts

By Jarica Walsh There is a giant inflated uterus floating in the gallery of Individual Artists of Oklahoma (IAO), and it is impossible to ignore....

Review: [In]Translation

By Krystle Brewer Separated by the immeasurable space between two minds, the ability to directly connect with another individual must be facilitated through spoken and...

Alexis Austin’s Possible Selves

By John Selvidge Image: Alexis Austin's Welcome to the Traffic Jam in the Inasmuch Gallery at Oklahoma City Community College, photo by John Selvidge Does...
Melvin Edwards, 2016. Photographs by Brandon Seekins. Courtesy Oklahoma Contemporary

Review: Melvin Edwards “In Oklahoma”

By Lauren Scarpello The 79-year old Houston native Melvin Edwards recently completed a residency in our state unearthing a trove of found objects assembled into...

Moving Relics: Remember This at Philbrook Downtown

By Catherine Crain Image: Crystal Z. Campbell, Go-Rilla Means War, 2017-18; Image courtesy of the author “You are watching a relic,” a disembodied voice informs in Crystal...
Guerrilla Exhibition at Inaugural Fried Chicken Festival, New Orleans

Review: Chunkism

By Renee Montgomery During this era of fake news and ‘alternative facts’ propagated on the Internet, painter/performance artist Adam Carnes confronts the public with hyper-realistic...

Finding Humanity in Shades of Gray: The Work of Amy Sherald

By Christina Beatty Image: Amy Sherald, She had an inside and an outside now and suddenly she new how not to mix them, 2018, oil...

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