July, 15, 2019,

Nicolas Gadbois: Semaphor

By C.J. Charbonneau Image: Work by Nicolas Gadbois In Semaphor, an exhibition of twenty-one 12” x 10” painted concrete tablets, Nicolas Gadbois ruminates on civilizations ancient and...

American Indian Artists: 20th Century Masters

By Megan Rossman Image: Vanessa Jennings (Kiowa), Tipi, 1990, leather, wood, pigment Although the National Cowboy and Western Heritage Museum in Oklahoma City houses an extensive collection of...

Obscene: An Ekphrasis

by Gretchen Vanwormer Mel Bochner’s Obscene (2014). Monoprint with engraving on collaged paper. 30.5 x 22.5 cm. Viewed as part of Philbrook Museum’s exhibition Amazing!...

M. A. Doran Gallery, Tulsa, OK – Annual Holiday Show

by Zack Reeves Image: Otto Duecker, “Earth Shakers”, Oil on Canvas. 24 x 30 in. This show presents 59 pieces from 26 artists on two floors,...

Looking Back on BEYOND: Factory Obscura Pushed the Envelope

by John Selvidge Photos courtesy of Factory Obscura and available at www.factoryobscura.com/beyond. Comparable to large-scale interactive installations pioneered by Meow Wolf in Santa Fe and City...
Django image courtesy of the Oklahoma City Museum of Art

Film Review: Django

By Jill Hardy In his essay “The Sacred Wood: Essays on Poetry and Criticism,” T.S. Eliot wrote “Immature poets imitate; mature poets steal; bad poets...

The Third Dimension

by Megan Rossman Image: figure 1, Alfonso Ossorio’s INxIT Off the Wall: One Hundred Years of Sculpture occupies a relatively small space at the Oklahoma City Museum of...

Remember This, Philbrook Downtown

By Liz Blood Image: Sanford Biggers and Jennifer Zackin, a small world…, 1999–2001, single-channel video projection, 6:30 min., photo by Liz Blood The four video works in Remember This...

Multimedia Musings: The Work of Mildred Howard

by Christina Beatty Image: figure 1, Mildred Howard, Public Eye — Private Me, 2003.  Powder-coated steel and laminated copper-plated mirrors. Public Eye — Private Me stands in the...

On Yatika Fields

by Zach Reeves Image: figure 1 Color is the first thing I notice. In Yatika Starr Fields’ work, it’s all over the place. It’s vibrant and striking,...

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